We (Wendy and Russ) have curated Vancouver’s annual Vernissage exhibition and have adjudicated most of the important CAPA events in the Lower Mainland: the Noth Shore Challenge, the Fraser Valley Invitational, the Crescent Beach Black and White Invitational, Delta Photo Inspirations and many individual club events. ![]() Elevate your work, and ultimately, the work of those around you. Learn a new vocabulary to support your new knowledge. A few spots left!Įver wonder what photography competitions might look like without the smothering effects of empty technique, gear wars and rote rules of composition? What if creativity, visual risk, distinct authorship and meaningful content reigned supreme? That is exactly how we (Wendy and Russ) have approached our duties as competition judges for many years. Week 3: 3 hours: Print review, group lunch.Įvaluating Photographs – An Art-Based Approach Week 2: 6 hours: Print review, group lunch, shooting field trip with on-the-spot guidance. Week 1: 6 hours: Lecture on the Visual Language of Black and White Photography, group lunch, shooting field trip with on-the-spot guidance. This class reviews prints exclusively – cheap 4圆 Walmart, Costco or London Drugs prints are just fine. If we don’t know you already, you may be required to submit a small sample of your work (colour pictures are just fine) by email as a prerequisite. It is open to all photographers, but we will not cover any specific camera operations – you are expected to know how to operate your equipment and/or you may leave your equipment on full-automatic for the entire course. This is a three session class, limited to 5 people. Our silver gelatin prints have won multiple awards, been featured in international publications and exhibited in commercial and academic museum venues. ![]() We (Wendy and Russ) have a ten year history of exclusively exhibiting and publishing black and white photography in Canada and the United States. B&W’s traditions and history extend all the way back to the dawn of photography! Learn from history, tradition and the way human vision is wired to see and construct black and white photography from the ground up. Note: there is a two-week gap between Week 1 and 2.īlack and white photography is not what you do with your colour pictures that didn’t work out. Seeing in Black and White – with field trips! The Visual Thinking Series Immersion and Challenge in MicroGroups (5 students max) at Russ and Wendy's Studio
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